The Four Quarters Magazine
By Bhaswati Ghosh
December 8, 2013
“For second-generation immigrants born to South Asian immigrant parents in the Western world, life is a two-fold quest. While their parents float in self-created bubbles by popping open the time capsules in which they arrive from their home country, the offspring have to oscillate between the period drama they’re expected to feature in while at home or in ethnic gatherings and the ‘real’ life they lead in school, with friends and the community at large. Notions of tradition, identity, home, and assimilation haunt them at every step. Caught in this quandary is Razia Mirza, the young protagonist of Bushra Rehman’s debut novel, ‘Corona.'”
By Madeline Salinas
November 26, 2013
“Ultimately, in Corona, Rehman’s strategy is to convey the complex gender dynamics of her culture by telling a variety of different stories, each exploring a different perspective on the relationships between men and women in relationships and families. To the colored women writers in the audience, Rehman says, “The more of us there are, the less weight each of our stories will take,” urging more women to share their opinions and contribute to a more comprehensive societal perception of Muslim culture. ”
By Kjerstin Johnson
November 2013, Food Issue
“Rehman uses humorous and honest powers of observation to tell more about
America than any academic book, and reminds us that we come of age our entire
By Shubhra Sharma
October 30, 2013
““I am not that kind of an Indian,” says Razia Mirza, thus uttering all that can and needs to be said. In Bushra Rehman’s new collection of short stories, Corona–and no, she is “not talking about the beer,” but rather Corona, New York—the author foregrounds the category called experience in its many hues and colors. Her crafting of “fictionalized” moments is so editorially, deliciously devious that you are left shaking your head in disbelief regarding the feelings it evokes in you. You feel like you are being dragged into your own life in your own borough/town/city in order for you to see it more clearly or even with a certain degree of mirth mixing with everyday angst.”
LA Review of Books
By Chaitali Sen
October 9, 2013
“In a similar vein, Bushra Rehman’s exquisite novel in linked stories, Corona, inserts unexpected South Asian characters into places of deep cultural significance. It begins in an immigrant enclave of New York, no longer the Jewish and Italian neighborhoods of Lower Manhattan, but Corona, “a little village perched under the number 7 train in Queens between Junction Boulevard and 111th Street […] The Corona F. Scott Fitzgerald called the ‘valley of ashes.’”
August 19, 2013
Razia, our Desi born heroine begins life in Corona, Queens, a neighborhood once referred to by F. Scott Fitzgerald as the “Valley of Ashes.” From there she starts a journey that has her giving historical tours in Salem, M.A., where her darkness aggravates donors and history buffs, smoking pot in the tenderloin of San Francisco with a domineering boyfriend, and hitchhiking through southern Florida with a beautiful girlfriend.(Aug.)
Read full review
The Wellesley News
By Alice Liang
“The sharp irony of Corona begins with it’s title and continues through the novel’s short stories.”
Muslimah Media Watch
November 4, 2013
“Corona is Bushra Rehman’s riveting first novel. The first sentence of the book begins by smashing assumptions; we think “Corona” and think alcoholic beverage. Well, I certainly do. But that’s not what Rehman is writing about.
‘Corona, and I’m not talking about the beer. I’m talking about a little village perched between under the number 7 train in Queens between Junction Boulevard and 111th St.’
Corona is a close community in Queens, previously inhabited by many Italians, in which Pakistanis and Dominicans have more recently set up halal meat stores and places of worship. Our protagonist is the intrepid and intelligent Razia Mirza. Razia journeys through sexual, spiritual, cultural and familial realms. In the novel, Rehman subtly focuses on how shame is often a large part of the narrative of Pakistani Muslim girls who are brought up in Western countries.”
October 23, 2013
By Zohra Saed
“Corona is a poet’s novel. Bushra Rehman’s narrative voice is strong and musical. It leaps off the page and speaks directly to you, as if you were catching up with a long-lost friend. In a series of linked stories, Rehman paints a vibrant memorial to small treasure neighborhoods tucked deep in the outer boroughs of New York, capturing the intricate vein work of Corona, Queens from its alleyways, streets, and blocks to its network of railway tracks. Even when her young Pakistani American protagonist Razia Mirza is not in New York City, when she is out on the road vagabonding through America, she carries her childhood—a cocoon of friends, cousins and uncles—with her. Rehman offers us an honest sketch of Razia, as we follow the travels, mistakes and chance decisions that shape this flawed and beautiful main character.”
Chhaya Community Development Fund
Chhaya’s 13th Anniversary Architects of Change Reception will honor Bushra Rehman as well as The Daily Show correspondent, Aasif Mandvi, and Shelley and Donald Rubin, founders of Rubin Museum of Art on Thursday Oct 1st, 2013.
Asia Pacific Radio (WBAI)
Writer and poet Bushra Rehman assembled an evening’s ode to her native Queens, in conjunction with the release of her new novel, Corona. A multi-media presentation, Rehman and fellow artists shared stories swirling through close-knit communities of the South Asian diaspora in the city’s most diverse borough. The Asian American Writers’ Workshop hosted the event along with the South Asian Women’s Creative Collective. Join us for memories of childhood sweeties, illicit porn stashes, family secrets, and final goodbyes.
Listen to the full interview
Flip the Script
Interview with Amita Swadhin and Saba Waheed
Listen to the full interview
Giant Robot Q&A
By Ed Lin
September 11, 2013
This is one of these short books that you finish in a few hours and it resonates with you for weeks, maybe years and possibly for the rest of your life. Corona reads like a fascinating collection of journals and fiction mashed together in a backpack and bound as is. It’s quite fitting that author Bushra Rehman was a vagabond poet.
Bushra and I met not even a year after 9/11 and it’s a complete coincidence that I’m posting this on an anniversary of 9/11. 9/11 actually figures into the fabric of Corona, as narrator Razia Mirza, a Pakistani woman from Corona, Queens, travels through the country and through time, through troubled relationships and relationships with trouble. Smoking pot with asshole soon-to-be-ex-boyfriends. Drinking beer with racists in the burbs. It’s funny, it’s sad and, if you hang on long enough like Razia manages to, it’s funny again. The book is a brilliant rendering of life and if it is not always life-affirming, it is always genuine and honest.
By Swati Marquez
September 10, 2013
I have been waiting for Bushra Rehman’s novel Corona for at least 14 years. Bushra and I first met at a South Asian Women’s Creative Collective (SAWCC) meeting in 1998 at the St. Marks’ Location of the Asian American Writers’ Workshop. Vividly, I remember her performing the following year for SAWCC’s “Tattoo This!” fundraiser and artists showcase at the Joseph Papp Public Theater—the petite poet towered in all black, a flowing skirt, combat boots, shaved head, and read “Marianna’s Beauty Salon” with incredible conviction and poise. From that performance, it was clear Bushra was a gifted storyteller, one who could weave keen observation, personal experience, creative imagination, and spiritual allegory with her stories. It was also clear that she had deep roots in Corona, Queens, and that she would be returning there in her writing.
Love, inshallah interview
“Love, InshAllah is proud to feature occasional author interview podcasts. This episode features Deonna Kelli Sayed interviewing Bushra Rehman about her Poets and Writers featured novel, Corona.
Deonna Kelli Sayed (DS): Here at Love, Inshallah, we are proud to focus on powerful personal stories from Muslim women and men, and sometimes, writers of other faiths, on love, marriage, family and life, in general. The 2011 call for Love, InshAllah book submissions asked for something simple yet transformative: American-Muslim women writing on something many people do not associate with the Muslim experience – love and relationships.
New York City-based poet, Bushra Rehman, found the idea of writing about love intriguing. Love, InshAllah inspired one chapter from her debut novel, Corona, a collection of stories about love, loss and transcultured identity, a book she says is:
Bushra Rehman (BR): Corona is a dark comedy about being South Asian in the United States. It is a poetic, on-the-road adventure novel starring Razia Mirza, a Pakistani girl from Queens, who gets disowned by her family, and who ends up taking a Greyhound bus and having adventures all over the country.
By Heather Baysa
July 31 2013
Bushra Rehman’s first novel, Corona, is a fragmented, poetic, on-the-road adventure told from the perspective of the charismatic Razia Mirza. After coming of age in a tight Muslim community surrounding the first Sunni Masjid built in New York City, a rebellious streak leads to Razia’s excommunication, prompting the young heroine to flee. Stories that alternate between childhood memories and the misadventures of her young adulthood slowly reveal glimpses of the past that Razia is escaping and the Queens neighborhood that has shaped her life.
Poets & Writers
“These stories have the heft of a novel and the elliptical grace of poetry. Rehman’s hot-blooded, ferociously funny, and deeply sensitive protagonist travels from the Muslim community of Queens to roadside Florida to the fogged windows of San Francisco and the Lower East Side. Along the way she falls into and out of love, takes frightening, exhilarating risks, repeatedly saves her own life, and comes into sharp-focus like a shaken photograph. She is about to gleefully dynamite every narrow stereotype you might have about a young Pakistani woman from Corona.”
Asia Pacific Forum
July 13, 2010
“And the World Changed: Contemporary Stories by Pakistani Women — the first English anthology of Pakistani women writers — and Indivisible: An Anthology of Contemporary South Asian American Poetry — the first English anthology of South Asian American poetry — have one thing in common aside from both being firsts: Bushra Rehman. In addition to reading from her work, we’ll talk to Bushra about what both these anthologies signify, for her and for South Asian English literatures.”
And the World Changed
November 24, 2008
And the World Changed: Contemporary Stories by Pakistani Women” is an important new book of 25 short stories. SAJA is hosting a live webcast with the editor and several of the writers, including Bapsi Sidhwa (calling from Houston), Humera Afridi (calling from NYC), Bushra Rehman (calling frm San Francisco) and editor Muneeza Shamsie (calling from Karachi). MODERATOR: Kiran Khalid, SAJA Board member; producer, “Good Morning America”; and filmmaker, “We Are Not Free,” a look at press freedom in Pakistan.
Walking Down the World: The New Face of South Asian Poetry
by Shruti Swamy
Jul 02, 2008
BBC Radio Show
featuring British Muslim and Muslim-American poets
Sing Your Own Psalms
In this two-part series, poet Shamshad Khan will be speaking to poets in Britain and the USA exploring just what it means to be a poet and Muslim here in the West. Shamshad interviews UK poets Imtiaz Dharker and Tariq Latiff, and Brother Dash and Bushra Rehman contribute from the USA.
Listen to program on BBC Radio 4
WNYC-The Brian Lehrer Show
May 5, 2005
In celebration of the People’s Poetry Gathering, I read a poem about Corona. But I was so sick that day, you can hear me coughing throughout the show. I couldn’t quite figure out how to use the “cough” button.
CITY PAGES: The News and Arts Weekly of the Twin Cities
July 13, 2005
This is a little article about the fabulous magazine Mizna’s humor satire issue.
May 26, 2002
This is a PG-13 view of my life. During this interview, this reporter had to put his notebook away since there was so much of our conversation he couldn’t report, but he did a great job with all the bio data he could.